Burundi

The culture of Burundi is based on local tradition and the influence of its neighbors, though its prominence has been hindered by civil unrest. Most Burundians live in rural areas. Since the hilly landscape has hindered the development of villages, small clans live as extended families in hilltop compounds called rugos. These families usually farm the surrounding hills to avoid tsetse flies in the valleys. A large portion of the population lacks health care and even safe drinking water, which causes many people to seek traditional and herbal medicine to treat diseases. UNESCO and the Peace Corps have set up programs to help improve living conditions.

Traditional drumming is an important part of Burundian cultural heritage, as indicated by the world-famous Royal Drummers of Burundi. Traditional dance often accompanies the drumming, which is frequently seen in celebrations and family gatherings. Some Burundian artisans have special songs to accompany different stages of their work.

During the 1972 genocide, many Burundians involved in higher education were killed, stalling written culture. This combined with the lower literacy rate have encouraged an adherence to Burundi’s strong oral tradition, which relays history and life lessons through storytelling, poetry, and song. This is evident in kivivuga amazina, an improvisational poetry contest played by cattle herders, in which they boast their abilities or accomplishments.

Lidded baskets such as this are among the most exquisite artworks made by the Tutsi women. The Tutsi (Watutsi or Watusi) people live mainly in Rwanda and Burundi along side with the Hutu and the Twa with whom they share similar cultures and speak the same language, the Kinyaruanda. According to the oral tradition, the Tutsi were originally cattle herders and Nilotic who moved south from Ethiopia and conquered the homeland of the Hutu about 600 hundred years ago. Despite their small number, the Tutsi managed to impose a new social political structure based on a Lord-Vassal relationship with the Hutu. Until the colonial period, Tutsi Mwami (King) ruled the Tutsi as well as the Hutu and Twa. During this period, Germans and than Belgians limited the authority of the Mwami and regulated the relationship between Tutsi, Hutu and Twa. Traditional art of Rwanda and Burundi is usually represented by basketry, pottery, metal working and Jewelry. Little is known about their sculpture. The Tutsi excel in producing these beautiful miniature lidded baskets, which become symbols of the Tutsi culture. These baskets called Agaseki were made from vegetable fibers of sisal and papyrus trees (Nigwegwe). The grasses of these trees were soaked in the water for almost two weeks to make them soft. Then they were beaten with stones and dried.  Earlier examples like this were made of the natural pale gold color of the fibers decorated with the patterns in black which came from boiling the root and seeds of the Urukamgi plant or the banana flowers. Recent examples incorporate imported dyes including red, green, orange, and mauves. The range of the patterns is unlimited and shows the creativity of women from Rwanda and Burundi. Many of these designs have specific names. These baskets were served as containers to transport valued foods such as eggs, milk, beans, meat, and other valuable objects. They were presented as wedding gifts to a bride and groom. They were also used as decoration. After the genocide of 1994, the miniature baskets have became symbols of peace, as Hutu, Tutsi, and Twa women sit side by side to weave the “peace baskets”. They have new designs and are more colorful compare to these earlier examples. Also, the straw used for these new baskets is thicker than the traditional ones.